作者：(美国)佐亚·科库尔(Zoya Kocur) (美国)梁硕恩(Simon Leung) 译者：王春辰 何积惠 李亮之 等佐亚·科库尔（Zoya Kocur）是一位独立学者兼美国纽约大学艺术系客座艺术教授，合作编著了《当代艺术与多元化文化教育）（1996年），并发表过多篇有关艺术教育学和博物馆教育学方面的论文。梁硕恩（Simon Leung）是一位艺术家兼美国欧文加利福尼亚大学演播艺术系副教授，他的作品曾在威尼斯三年展（2003年）和惠特尼双年展（1993年）上展出。 王春辰是中国艺术批评家、美术史学博士，现工作于中央美术学院美术馆。出版有《1940年以来的艺术》（2006年）、《绘画现象学》（2006年）、《装饰新思维》（2006年）、《艺术的终结之后）（2007年）等译著。

Theory in Contemporary Art since 1985 is a groundbreaking anthology that captures the essence and the edge of the contemporary art scene. Provides the first truly comprehensive and international anthology of theory in contemporary art of the last two decades. Brings together a broad selection of important contributions to the fields of contemporary art, theory, and cultur...(展开全部)

For undergraduate/graduate courses in Contemporary Art, Art Criticism, and Art History; also appropriate for studio courses. This text gathers together the seminal moments in the international art scene of the last few years, placing them in the context of the critical and public understanding of the works, and brings into play the remarkable growth of contemporary art museums ...(展开全部)

This groundbreaking new survey of contemporary art covers all the major art movements since 1970, the impact they have had. Each chapter contains a one or two page spread dedicated to artists commenting on their own work or the work of other artists.

In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--post-structuralist, Marxia...(展开全部)

In the discussion of architecture, there is a prevailing sentiment that, since 1968, cultural production in its traditional sense can no longer be understood to rise spontaneously, as a matter of social course, but must now be constructed through ever more self-conscious theoretical procedures. The development of interpretive modes of various stripes--post-structuralist, Marxia...(展开全部)

This intelligently argued, critical overview is invaluable for the way in which it reveals and makes coherent sense of the often bewildering diversity of styles, forms, media, techniques and agendas that proliferate in contemporary art. Now revised and expanded, Michael Archer's acclaimed book is brought right up to date with discussions about the comprehensive globalization of...(展开全部)

This comprehensive and authoritative book illustrates art from the 1940's and stresses the individuality of the artists in relation to their political, social, and cultural contexts. The book focuses on the meaning of the major works and innovations. It features nearly 600 illustrations (approximately half in color) representing art since 1940, both in Europe and America...(展开全部)

美国艺术史大牛，谈艺术，绕不开的当代牛人Jonathan Fineberg。美国著名艺术史家，伊利诺伊大学厄巴纳-香槟校区艺术史荣誉退休教授。

At one time dismissed by many as inaccessible, elitist or even facile, contemporary art has since entered the realm of popular culture and is enjoyed by millions of gallery visitors every year. This accessible and beautifully produced up-to-date guide pinpoints key artists and events, and so helps demystify a generation of rapid change in the art world. The A-Z listing (by arti...(展开全部)